"This is certainly a wonderful painting," said I, looking about the room with much admiration. "I have never seen anything to compare with it before."
"There is nothing about it that is extraordinary," remarked Arletta, "it is merely a little ornamentation of my own private apartment which I did myself according to my own fancy. Any of our ordinary house decorators could have done as well or better. All of our children were taught to paint and they devoted considerable of their spare time to the art, but the works of the real artists were placed upon exhibition in the national galleries where everybody could see and enjoy their magnificence."
"I observe an absence of jewelry about your person," mentioned I, "was it not the custom of your people to wear jewels?"
"Do you think that to wear rings around your toes and suspended from your nose is a sensible thing to do?" inquired Arletta.
"No, no; decidedly not," answered I, "such are the customs of the barbarians only, but our civilized people wear rings around their fingers and in their ears."
"Indeed, and wherein lies the difference?" asked she, good naturedly. It then struck me rather forcibly that there was no difference and that it was just as ridiculous to wear rings from the ears and around the fingers as it was to have them suspended from the nose and about the toes. "But were there no diamonds in your country?" questioned I.
"Yes," replied Arletta, "there was a large pile of them in the national museum which we looked upon as old junk--sort of relics of the savage Apemen. When our children were shown these things and informed that a king of an Apeman nation would gladly sacrifice the lives of a hundred thousand of his subjects in an attempt to gain possession of them, or that his subjects would murder their friends, brothers, wives or children in an effort to secure some for themselves, it was impossible for their youthful minds to fully understand why the Apeman should become so ferocious and idiotic over such trifles. They naturally looked upon your species as you would view a tribe of monkeys fighting amongst themselves for the possession of a string of gla.s.s beads. The Apeman like the monkey is incapable of seeing his own absurdities."
"And what about gold?" I inquired. "We had a building constructed of it," answered she. "One of the first things the Sagemen did after they abolished the system of individual acc.u.mulation was to take all the gold there was in the country, and mould it into a huge edifice to be used as a national museum, and represent a sort of monument to a dead system."
"It must have been a magnificent structure," said I, in amazement. "On the contrary," replied Arletta, "it was the most hideous building in our land. As a curiosity it was worth seeing, but as an object of grandeur it was a total failure. There is more real beauty in one of nature's tiniest flowers than there would be in a mountain built of gold and studded with diamonds, but the little Apeman who considers gold the standard of value cannot understand this."
"When you mentioned the absurdity of wearing jewelry," said I, "it brought to my attention the fact that you wear no shoes upon your feet, and that your toes are much longer and far more shapely and supple than is the case nowadays."
"Yes," answered she, "that is because we made use of our toes as well as our fingers for useful purposes. It appears to me that the Apeman has permitted his feet to grow into mere hoofs with which to stump along upon, and from what I observed during my excursion around the world, your people are even allowing their hoofs to become worthless," and here she smiled as she recalled to mind some of the gouty, rheumatic and over-fed mortals she had seen during that trip.
As Arletta smiled, her beautiful lips parted and for the first time I noticed, much to my surprise, that she had no teeth. A woman of our own kind without teeth generally presents a rather dilapidated appearance, but here was a woman that I thought actually looked more lovely without them.
"Well," remarked Arletta, noting my astonishment, "I do not have teeth to bite and chew with like the lower animals. The Sageman shed his teeth shortly after he discontinued the filthy animal habit of devouring flesh and other solid substances for subsistence, and subst.i.tuted the more scientific, cleanly and healthful method of inhalation."
CHAPTER XVI
"Now we shall enjoy a little music," said Arletta, as she turned her attention to the pictorial orchestra.
"Music," repeated I, "then it was real music I heard a short time ago and not a mere fancy of my own."
"I was not aware that you heard it at all," replied she. "Yes,"
responded I, "when first coming into this room, the men in the picture appeared to me to be alive, and wishing to attract their attention I touched the shoulder of the leader, and then it was that I thought I heard the sweetest and grandest music it has ever been my good fortune to listen to."
"In that case," said Arletta, "your ears did not deceive you, for you certainly heard real music. You see in this picture, an exact portrayal of that which existed over four thousand years ago. This delineation is an almost perfect representation of one of our national bands as they once appeared in life ready to play. The music, of course, is reproduced mechanically, the mechanism being concealed from view behind the scenery. When you placed your hand upon the shoulder of the leader you unconsciously pressed the spring which set the machinery in motion, causing a reproduction of the same strains once rendered by these men."
"But this being a painting, I cannot understand how the figures moved as if playing upon their instruments," said I.
"They did not move at all," answered Arletta, "it was your soul that brought to your senses the movements that once took place among these men in real life. Music is inspired by the soul, and likewise has a direct influence upon it. No Sageman was considered an eminent composer if his work lacked the force to convey the soul of the listener to the actual scene from whence the inspiration was derived. No doubt your inferior brain was incapable of grasping the magnificent conception of the author, but the selection being so enrapturous your soul awakened and brought your senses to the point where you could see the movements of the musicians. Perhaps the next rendition may have a stronger effect upon your soul which will cause you to get an outline of what was intended by the composer. The composition which the orchestra will now reproduce for your benefit was considered by our people to be the musical masterpiece of all time. It was named 'The Soul's Retrospection,' and was composed by the leader of this band only a few years prior to the great catastrophe. Look," said Arletta, with much feeling as she waved her hand toward the exalted director, "take a good look at this model of a perfect man and you may be able to realize just what qualities he had to possess before acquiring the tremendous intellectual strength necessary to produce the wonderful work that will shortly be impressed upon you. Note the extraordinary look of kindness, gentleness and self-denial that is stamped upon his handsome features.
See the expression of thankfulness and intense reverence he maintained for the many splendid gifts nature bestows upon all mankind capable of accepting them. Observe the optimistic appearance of one that believed the earth was real heaven and who strived to make it so. Notice the cast of superior intellectuality caused by devoting his time and mentality to natural thoughts, instead of allowing absurd civilized theories to take root in his expansive brain. Behold the magnificent physique, the result of the constant care and attention he gave to the machinery nature provided him with. Ah, me! such a n.o.ble being, and to think that there is not another piece of flesh and blood on earth at the present time to compare with him seems cruel."
At this point Arletta appeared almost overcome with sadness and emotion as she buried herself in contemplation of a glorious past and an unknown future. Great tears rolled from her beautiful eyes, and unconsciously from my own as well. How utterly helpless I felt at that moment. I knew of no way to cheer her, although I would have gladly given up my life to do so. Aye, more than that, my love for her was so strong that in order to make her happy, I should have welcomed back to life again, if such a thing were possible, any one of those handsome fellows in the picture.
However, by a superb display of will power, she quickly regained control of herself, and becoming cheerful once more, bade me recline upon one of the lounges while she pressed the spring which set the musical apparatus in motion.
And as I followed her directions, there suddenly burst forth the voluminous and harmonious sound of a hundred strange instruments, causing an indescribable thrill of ecstasy to take possession of my senses, until it seemed that there was nothing left of me but an invisible spirit. And then, even the music apparently stopped, and a peculiar feeling overcame me as if my soul had actually left its charge and was flying about in an effort to find a convenient resting place.
Suddenly, as if half awake and half dreaming, I found myself within a luxuriously furnished hall, surrounded by a score of richly-clad beings, who were bowing, kneeling, and cutting up all sorts of silly antics about me. In a dreamy sort of a way, I looked down at myself and discovered that I was arrayed in the gorgeous garments of a king, and weighted down with dazzling jewels from head to foot. Then everything became clear enough to my memory; I was the king, and these idiotic creatures fawning and cringing about me were my obedient subjects; my slaves; the willing tools which kept me in power. A gouty feeling in my feet, a dyspeptic ache of the stomach and an alcoholic pain in the head, caused me to be in a very disagreeable mood, and I felt like kicking the entire gathering out of my presence.
"Sire," squeaked a knock-kneed, sickly looking civilized creature about five feet high, who wore knee breeches, silk stockings and fancy ribbons, as he bowed low in addressing me, "those ungrateful subjects of your majesty, the ignorant common laboring horde whom G.o.d in His infinite wisdom has entrusted to your n.o.ble guidance, have become dissatisfied and turbulent again, and are disturbing the peaceful prosperity of the domain by clamoring for bread--more bread and less toil is their beastly cry. A delegation of their representatives requested me to beg your majesty to grant them an audience that they might state their imaginary grievances to you in person."
"More bread and less toil," shouted I furiously, "the audacity of the vermin! By the G.o.ds! I shall teach those craven beggars that I am the master and will tolerate no new-fangled ideas. Give orders to the generalissimo to have this delegation beheaded at once and to put to the sword every dissatisfied laborer in the land." As I uttered those words, intermingled with terrible oaths, and with intense hatred for the wretches who dared to complain against such conditions a sudden change affected me and I found myself within a dark, filthy little room, seated at a bare table, with a feeling of hunger gnawing at my stomach. My limbs felt tired and sore from a hard day's toil. Beside me sat a thin, haggard, sorrowful woman and several half-famished children piteously crying for something to eat. Oh, what a dismal, melancholy feeling.
"What is it," mused I, observing my bony hands, crooked limbs and ragged clothes, "that causes my inability to earn enough money to supply bread for myself and family, after working fifteen hours a day, while thousands of men in this land do not work at all and have luxuries to waste? What unnatural law governs the world that starves myself and family who work, and over-feeds the pet dog of the aristocrat, who loafs? The Church teaches me that G.o.d rules the universe, and that in order to please Him I must be contented with my lot. Can I believe this unreasonable doctrine of the Church? Can I give thanks to such a G.o.d?"
Another change, and behold, I am clad in the garments of a hunter, seated upon the back of a spirited horse and in mad pursuit of a fleet- footed antelope. I raise my rifle and blaze away at the frightened beast. There, I have hit the mark and brought him down at the first shot, much to my delight. But lo, it is not dead yet; see how it pants and struggles in desperation, as it tries to regain its feet. Now I am right upon it, and quickly dismounting, I take hold of its horns, draw a long keen knife from its sheath, and with a powerful stroke I almost sever the victim's head from the body. And as the warm blood pours forth in every direction and the last sign of life departs from its shivering body, I view the work of destruction with the fiendish glee of a n.o.ble sportsman.
But hold! What causes me to tremble with fear as though some blood- thirsty monster were pursuing me with the intention of crushing out my life's blood? Ah, I understand. I am the four-footed beast and am running, running, running as fast as my weary limbs will carry me. And such a terrified feeling overcomes me as I look backward and discover I am pursued by the most dangerous, savage and cruel animal in existence-- man. How relentlessly he dogs my footsteps. On, on, on he comes until he is right behind me and there is no chance to escape--nor any hope for quarter. At last being brought to bay I turn about and decide to give battle to my pursuer. But look! The cowardly savage will not fight after all. No, he will not advance and fight fair, but at a distance and out of harm's way, he stops, and pointing a weapon at me, takes deliberate aim, there is a loud report, a quick flash, and the scene once more changes.
And thus I transmigrated from one thing into another, in a seemingly endless procession of lives, experiencing all the peculiar sensations of the many bodies I temporarily inhabited. In some cases I was the big strong brute--either physically or mentally--taking advantage of the puny weakling. In others, I was the miserable weakling, being crushed by the over-powering strength of the bully. But whether strong or weak, either physically or mentally, I was always the moral coward and selfish creature, ready to cater to those who were stronger, and take advantage of those who were feebler than myself, until finally I emerged into a most extraordinary being, utterly deficient in all human weaknesses.
Master of a physique absolutely free from all imperfections, and controlling a mind powerful enough to grasp nature's beautiful ideas unadulterated, I found myself seated upon a platform in the center of a mammoth theatre and surrounded by the finest body of musicians the earth has ever produced--the immortal Sixth National Band of Sageland. Then I fully realized that as leader of this wonderful group I was about to render for the first time, my latest musical conception and masterpiece-- "The Soul's Retrospection"--which would prove to humanity beyond a doubt, the positive truth of one of nature's grandest secrets--the indestructibility of the soul.
It was generally believed that music was the direct inspiration of the soul. It was also thought that the soul was one of the unchangeable forces of nature whose duty it was to operate and purify different pieces of natural machinery known as animal lives; starting each on its brief career and remaining a part thereof until the mechanism exhausted its power and collapsed, after which it attached itself to another bit of animal matter, remaining therewith until its death, and so on indefinitely.
And now, after a life of unswerving devotion to this purpose, I was about to establish the truth of these theories by producing a musical composition that would cause the listener's soul to leave the body, and going backward, revisit, as in a dream, the various animal forms it had previously inhabited. How extremely happy I felt to think what a great blessing humanity was about to receive direct from nature, through the instrumentality of myself and the incalculable good that would result therefrom. Not only would it prove of vast scientific value to my own countrymen, but also to the millions of ferocious Apemen in all parts of the world, who could now be made to understand that no soul is immune from hardship, misery and torture until all living things on earth have reached the highest stage of perfection.
The news that the first production of "The Soul's Retrospection" was about to be given had attracted great attention among the Sagemen, and I observed that the great National Auditorium, which was capable of seating four hundred thousand persons, was crowded to its very doors, a proceeding I had never witnessed before, notwithstanding my companions and I had appeared there many times previously to give musical performances. I also noticed that the transmitters in all of the domes of the auditorium were open and ready for use and I knew that my countrymen in every part of Sageland were at their musical receivers ready to obtain the instantaneous results of our efforts. All of the celebrated wise men and great scientists, while openly skeptical concerning the claims of my composition, showed their interest in the matter by being present personally and appearing anxious for success to crown my efforts. As my eyes wandered over the great a.s.semblage completely filling tiers upon tiers of seats, as far back in every direction as the natural eye could reach, I felt positive that there was at least one person present who had no doubts of successful results.
"Ah, where is she?" mused I, looking about for a sign of recognition.
"Here I am," came the quick telepathic response, and immediately my gaze fell upon the loveliest woman on earth--Arletta--nature's companion to my soul. I am utterly powerless to describe the feeling of joy experienced as our eyes met in mutual admiration. Being held momentarily spellbound by her loving glance, I fully recognized the fact that she was the acme of purity--the guiding star of my life. And with such a guide there was no such thing as fail.
All in readiness, I arose to my feet and the entire audience did likewise, as a token of appreciation for past services rendered.
Acknowledging the honor and waiving them seated, without further ado I signaled my a.s.sistants to begin.
Never did a body of musicians commence a difficult task with more determination to create, through the medium of their instruments, an exact interpretation of the author's purpose. In no degree could they have succeeded more admirably than on this occasion. Never was an entire audience so completely carried beyond the borders of reality than now.
From the first until the last note not a twitch of a muscle could be seen in all that ma.s.s of humanity, which now resembled a great concourse of motionless statues. The musicians themselves, with their minds and souls bent upon giving the fullest expression to their grand work, were the only evidence that any life at all remained in the large auditorium.
How bravely they stuck to their laborious undertaking; how beautifully they executed their divine work.
At last the piece was finished, and looking about, I observed that the great audience jumped to its feet instantly, and every person present frantically extended both hands above the head--a sign that we had been successful. Never before did I see my countrymen under such intense excitement and jubilation as now. Men hugged each other; women cried with joy. The world is saved, was the general exclamation. Amid the great confusion that followed, I noticed Arletta with her arms outstretched toward me--a sign that she was betrothed to me forever. Her beautiful face was the picture of happiness and love. As I descended from the platform and started forward to clasp her in my arms the entire audience seemed to vanish into nothingness, and my head began to whirl.
I turned and looked backward, and to my great astonishment and confusion beheld myself still seated upon the platform. It seemed to me that I was divided into two parts. I rubbed my eyes in amazement and looked again.
There was the leader of the band sitting on the platform motionless and surrounded by his faithful helpmates. I looked in the other direction.
There was Arletta reclining upon the couch with her l.u.s.trous eyes fixed upon me. I glanced down at myself and found that I was the same old John Convert dressed in sailor's clothes.
For several moments I stood there buried in the depth of serious meditation. Then slowly walking over near Arletta, I stooped and resting upon one foot and knee, I tenderly took her hand in mine and bowed my head in reverence. I understood it all now.
CHAPTER XVII
"What a wonderful world this is! What writer of fiction could draw upon his imagination for anything to compare with this extraordinary freak of nature?" soliloquized I, arising and taking a seat opposite Arletta and staring at her in amazement.
"There is no such thing as a freak of nature," corrected Arletta, "the utmost reason prevails for all of her acts; but the simplest of nature's laws appears complex and incomprehensible to the Apeman, who merely uses his brain as an organ for self-gratification instead of an instrument to grasp natural laws for which purpose it is intended. And therefore, while your famous Apemen stunt the growth of the brain by misusing it for the base purpose of acc.u.mulating individual wealth, our great men utilized their brains to receive, understand and operate the wise laws established by nature for the equal benefit and betterment of all mankind. And therein lies the chief difference between the piece of human machinery your soul now occupies and that which it once directed over four thousand years ago. Behold," said she, dramatically pointing at the director of the band, "that you were," and then casting her eyes upon me, "that you are. Does your mind lack the strength to fully appreciate the magnificent lesson nature has forced upon you, and which, no doubt, stands unparalleled in the history of your species?
"Oh, if each little Apeman could only be made to understand, that the present body is but one little installment of the innumerable lives his soul has to preside over, and that the rich and powerful today may be the weak and lowly tomorrow, he would begin at once to treat all living things with equal kindness and sympathy. If he could only realize that the dog he kicks, the horse he mistreats, or the poor mental or physical weakling he takes advantage of might possibly be impelled by the same soul that moved the form of his deceased father, mother, or offspring, his selfishness and cruelty would vanish forever. If he could only comprehend that the soul suffers as well as the flesh it stimulates, and that it must naturally continue to do so, more or less, until every particle of living matter has been cleansed and remoulded into the highest type of earthly being, he would strive to reach perfection himself and urge others to do likewise. For all terrestrial life must go up or down together; a moment of selfish pleasure now, means an age of suffering and torment in the future. Such are the immutable laws of nature. And these laws must be obeyed before mankind can climb the ladder of greatness.
"It sometimes appears as if Natural Law works very slowly before reaching a given point, but there is always a reason for every one of its movements. While apparently incomprehensible, still it was in accordance with an eternal law, that you were sent back here again after an interim of over tour thousand years. My soul, which had been held a captive during all that time, might have remained here for millions of years had you not come back to release it from its peculiar bondage. But you did return, and nature thereby demonstrated that it never forgets anything, from the workings of the great living things of which the suns, moons and planets are but mere organs, down to the minutest microbe of the microbe. So you can readily perceive that at least two of the bodies which your soul has inhabited were chosen to perform great services for the human race. First, by a natural course of instruction, you proved to the Sagemen over four thousand years ago that the soul was indestructible. And now, through a mysterious operation of nature you are brought back here in an inferior organism and have had a positive manifestation of the identical principle thus established, in order that you might resurrect and make known to all mankind the unalterable truth-- Natural Law. Do you not feel highly honored to be called upon twice for such grand missions?"
"But I cannot understand," said I, "why nature, after having allowed the Sagemen to reach such a state of physical, mental and moral superiority, should destroy them just when they had reached the threshold of success."
"Nature did not destroy the Sagemen," replied Arletta, "they extinguished themselves in making an effort to accomplish something beyond their powers. They tried to operate a law with which they had not become sufficiently familiar to insure success. If one of your little Apemen experiments with steam or dynamite and is blown to atoms, that is his own fault, not nature's.
"For a thousand years the Sagemen had made remarkable progress along scientific lines. They had mastered themselves, and had learned to think both individually and collectively; and also to properly distribute and enjoy the products of their combined efforts. They had acquired a thorough knowledge of the particles of which the earth is composed, and had secured control of the atmosphere that surrounds it. They had harnessed the chemical properties of the sun after reaching the earth, and had gained possession of many other valuable utilities by following the course of Natural Law, but when they undertook to regulate the earth's path in s.p.a.ce they simply over-stepped the confines of their abilities and failed. That was one of nature's laws they were not thoroughly acquainted with. However, as it requires many drawbacks to achieve extraordinary success in all things, humanity should not be discouraged over this failure, but gradually work its way up again until it has not only reached, but surpa.s.sed the high standard of excellence attained by the Sagemen.
